ENGLISH 315: Digital Writing

COURSE SYLLABUS 

ENGLISH 315: Digital Writing

Instructor: Dr. Santosh Khadka

Classroom location: ED 2117 (College of Education)

Office: 834 Sierra Tower

Email: santosh.khadka@csun.edu

Course Description

This course engages the expanded notion of writing, and focuses specifically on the composing practices with multisemiotic resources, such as sound, video, images, web, graphics, and animation, in the digital world. It also deals with social media, digital identity, and ethical issues surrounding the digital production of texts.

Course Outcomes

Students will:

  • Gain experience with a variety of digital writing tools and platforms.
  • Explore the rhetorical effects of different media.
  • Build upon their current levels of experience and expertise with digital writing.
  • Read a series of texts that explore practical and philosophical issues related to digital writing.

Required Texts (List Subject to Change)

Introduction from Why Digital Writing Matters (Selection–PDF in Canvas)

Anderson, Paul V. Technical Communication: A Reader-Centered Approach (Selection—PDF in Canvas)

WIDE Center Collective’s Why Teach Digital Writing? (Online)

Top Six Digital Transformation Trends In Media And Entertainment (Online)

Beach, Richard, Chris M. Anson, Lee-Ann Kastman Breuch, Thomas Reynolds. Understanding and Creating Digital Texts: An Activity-Based Approach (Buy at Matador Bookstore).

Hempe, Barry. Making Documentary Films and Videos: A Practical Guide to Planning, Filming, and Editing Documentaries (Buy at Matador Bookstore).

Inge, M. Thomas. “Collaboration and Concepts of Authorship.” (PDF in Canvas)

Kennedy, Krista. “Textual Machinery: Authorial Agency and Bot-Written Texts in Wikipedia.” (PDF in Canvas)

Selfe, Cynthia L. “The Movement of Air, the Breath of Meaning: Aurality and Multimodal Composing.” (PDF in Canvas)

Mary Hocks and Michelle Comstock. “Composing for Sound: Sonic Rhetoric as Resonance” (PDF in Canvas)

Tkacz, Nathaniel. Wikipedia and the Politics of Openness (Buy at Matador Bookstore).

“Wikipedia: Five Pillars.” http://en.wikipedia.org/wiki/Wikipedia:Five_pillars

“Wikipedia: New Contributors’ Help Page.”

http://en.wikipedia.org/wiki/Wikipedia:New_contributors%27_help_page

For Other Materials–see hyperlinks in the calendar or PDFs in Canvas.

Course Requirements and Grade Distribution

Major Assignments (For detailed descriptions, see sample assignments below)

  1. Digital Literacy Narrative (10%)
  2. Audio Movie Review (20%)
  3. Documentary Film (20%)
  4. Collaborative Wikipedia Article (20%)
  5. Digital Portfolio (20%)
  6. Blog Responses to Course Readings (10%)

Logistics:

Students

A 120 or higher gigabyte portable or external hard drive, USB 2.0.

An 16 gigabyte SanDisk SDHC memory card, class 6

Required free materials include a blog space.

                                              Schedule

(Subject to change)

Part I: Digital Narratives/Composing with Sound

Week 1, Tuesday, Jan. 22

Introduction to course syllabus.  Setup of initial website.  Sample post.   Create Blogs. Introduce digital literacy narrative assignment.

Week 1, Thursday, Jan. 24

Introduction to digital writing

National Writing Project: “Introduction: Why Digital Writing Matters.” (PDF in Canvas)

WIDE Center Collective’s Why Teach Digital Writing? (Online)

Top Six Digital Transformation Trends In Media And Entertainment (Online)

Introduction to Audio Movie Review Assignment

Blog Post 1 Due

Week 2, Tuesday, Jan. 29

Digital Literacy Narrative Due.

Discuss criteria for Evaluating Print and Online Sources

Discuss writing technologies with a particular focus on audio.

Listen and analyze sample audio movie review from NPR:

http://www.npr.org/sections/movie-reviews/

Ted Talk on Sound Editing:

Review Proposal Guidelines and Review Grading Criteria (both documents in Canvas)

Week 2, Thursday, Jan. 31

Cynthia Selfe. “The Movement of Air, the Breath of Meaning: Aurality and Multimodal Composing.” (PDF in Canvas)

Mary Hocks and Michelle Comstock. “Composing for Sound: Sonic Rhetoric as Resonance” (PDF in Canvas)

How to Write a Film Review

Audio Only Documentary Sample: http://www.bbc.co.uk/programmes/w3csvsjn

Blog Post 2 Due

Week 3, Tuesday, Feb. 5

Audio Movie Review Proposal due

Discuss Fair Use. https://fairuse.stanford.edu/overview/fair-use/what-is-fair-use/

Watch Lessig’s TED Talk Video

Clay Shirky: Why SOPA is a bad idea:

Week 3, Thursday, Feb. 7

Workshop on Sound editing. Drafting podcast script. Recording 30-60 seconds of audio review, and learning editing skills.

Week 4, Tuesday, Feb. 12

No Class. Workshop on your Movie Review at the space of your convenience

Week 4, Thursday, Feb. 14

Presentation of Audio Movie Review

Week 5, Tuesday, Feb. 19

Presentation of Audio Movie Review

II. Composing with Video

Week 5, Thursday, Feb. 21

Audio Movie Reviews due

Introduction to documentary making assignment.

Watch a sample documentary film: Digital Nation

https://www.pbs.org/wgbh/frontline/film/digitalnation/

Formation of Documentary Groups

Week 6, Tuesday , Feb. 26

Workshop. Introduction to iMovie. Bring to class several short clips of video footage on your camera that total about 5 minutes for download and manipulation in iMovie.

Download Video Composition Resources here

Week 6, Thursday, Feb. 28

Ted Talk on Remix:

Everything is a Remix Video:

Part III: “What Will You Show” and Part IV: “Writing Documentary” (PP. 89-216) of  Making Documentary Films and Videos: A Practical Guide. 

Blog Post 3 Due

Week 7, Tuesday, March 5

Proposal for documentary film due. Discussion of proposals

Barry Hempe, “Editing a Documentary” (PP. 324-340) from Making Documentary Films and Videos: A Practical Guide.

Discussion of some Film Editing Terms

A Beginner’s Guide to Film Editing Vocabulary

Video Explanation of Some Editing Terms:

https://filmglossary.ccnmtl.columbia.edu/term/editing/

Week 7, Thursday, March 7

Workshop on video production/editing

Download Resources from here for the video composing workshop: https://drive.google.com/drive/folders/0B37jKaJwn4ElaXVBMHNRdFJnMkk

Week 8, Tuesday, March 12

No Class. Field Work. Collect further Data or Workshop on video production/editing

Week 8, Thursday, March 14

Complete the Documentary project. Video Screening Next Week

Week 9: March 18-24 (No Classes–Spring Recess)

Week 10, Tuesday, March 26

Video Screening (Whole Class Feedback).

Your will revise, as needed, and submit the final cut on Tuesday, March 29.

 III. Collaborative Authorship

Week 10, Thursday, March 28

The Five Pillars of Wikipedia

Create a new Wikipedia account.

The New Contributors’ Help Page.”

Formation of writing groups

Intro to Wikipedia Article Assignment

Week 11, Tuesday, April 2

Inge, “Collaboration and Concepts of Authorship”

“Introduction” from Wikipedia and the Politics of Openness

Blog Post 4 due

Week 11, Thursday, April 4

Chapter 1: “Open Politics” and Chapter 2: “Sorting Collaboration Out” (pp. 14-87) from Wikipedia and the Politics of Openness

Richard Beach et.al “Co-Constructing Knowledge through Collaborative Writing” from Understanding and Creating Digital Texts.

Blog Post 5 Due

Collecting, locating, evaluating sources for Wikipedia Article

Week 12, Tuesday, April 9

Proposals for Wikipedia Article Due

Chapter 3, Chapter 4, and Chapter 5 (pp. 88-176) from Wikipedia and the Politics of Openness

Week 12, Thursday, April 11

Workshop on Wikipedia Article

Week 13, Tuesday, April.  16

Peer Review of Wikipedia Article

Use these criteria to respond to draft articles of your peers:

Week 13, Thursday, April 18

No Class–Complete your Wikipedia Article

Week 14, Tuesday, April 23

Presentation of Wikipedia Articles

Part IV: Composing with Web and Portfolio Exhibit

Week 14, Thursday, April 25

No Class-Thanksgiving Break

Week 15, Tuesday, April 30

Introduction to Digital Portfolio Project.

Paul V. Anderson, “Creating Reader-Centered Websites.”

Richard Beach et.al “Composing Multimodal Texts through Use of Images, Audio, and Video” from Understanding and Creating Digital Texts.

Blog Post 6 Due

Week 15, Thursday, May 2

Workshop on additional artifacts for the portfolio

Week 16, Tuesday, May 7

Workshop on Digital Portfolio

Week 16, Thursday, May 9

Portfolio Exhibit/Course Evals

Links to Student Portfolios Spring 2019

Links to Student Portfolios Fall 2018

Links to Student Portfolios Spring 2018

Links to Student Digital Portfolios FALL 2017

Links to Student Digital Portfolios Spring 2017